Category: Interviews & Profiles

Larisa Latynina has never been content to rest on her legend. The nine-time Olympic champion—whose name still defines an era of Soviet gymnastics—has lived many lives: prodigy, national icon, iron-willed head coach, and, later, the quiet architect behind Moscow’s next generation of stars. When Nadia Comăneci enchanted the world in 1976, it was Latynina who paid the price at home—forced to step down as head coach despite the fact that the Soviet women’s team had never lost a single Olympic or World Championship title under her leadership. In this interview from 1990, she reflects on the complexities of leadership, the stubbornness of talent, and the moral weight of guiding the sport she once ruled. Latynina speaks candidly about the fierce personalities she nurtured—Korbut, Tourischeva, Kim—and about one of her later instincts that proved prophetic: championing a young Svetlana Boginskaya when few others saw what she did. Her story is one of brilliance tempered by conviction—and of a woman who, even after the spotlight dimmed, never stopped shaping the stage.

She once carried the Soviet women’s team to Olympic gold in Mexico City, winning three individual medals, including silver in the all-around. Two years later, as a young mother, she returned to capture four more at the 1970 World Championships in Ljubljana. But after missing the 1972 Olympics, she slipped from public view—spoken of through whispers and cruel clichés about wasted talent. By 1990, Zinaida Voronina was no longer a star on the podium but a worker at a foundry, battling the weight of her past and the fog of alcoholism. And yet, the letter of a fan from Estonia—and her own unyielding resilience—brought her back into the light. In this rare and deeply personal conversation, Voronina speaks with candor about triumph, shame, survival, and the fragile hope of finding her way again.

She was once called the “Russian birch”—slender, graceful, resilient. With five Olympic gold medals to her name, Polina Astakhova never flaunted her triumphs. Former teammate Natalia Kuchinskaya remembered her most vividly for a quiet act of kindness on the balance beam. Yet in competition, Astakhova was unshakable: the leader who returned to the floor only twenty minutes after tears in Rome, composed and determined.

By 1988, she was no longer the star of Rome or Tokyo but the head coach of Ukraine’s national team. At the training base in Koncha Zaspa, she spoke less about medals than about children—about the blank slates entrusted to her care, about the culture and artistry of sport, about shaping gymnasts not only as athletes but as people. Looking back, it is clear that behind the legend of the “Russian birch” was something deeper: a coach and champion who believed that strength and humanity must always go hand in hand.

In the world of elite gymnastics, few names carry the weight and quiet strength of Ludmila Tourischeva. A legend of the sport and a symbol of grace under pressure, Tourischeva competed not for fame, but from a deep sense of duty and conscience — to herself, her team, and her craft. In “Not for Fear, but for Conscience,” she reflects not just on a single competition, but on the inner battles that defined her career: fear, pain, perseverance, and the will to rise again. Her story is not only about medals and records, but about what it means to endure, to evolve, and to triumph with dignity.

Her medals came at a cost. As we’ll see, Tourischeva pushed herself into unhealthy weight-loss tactics, even starvation at times. This interview appeared before Elena Mukhina later spoke openly about doing additional conditioning to shed weight and the widespread use of diuretics on the Soviet team. For readers sensitive to these issues, please read with care.

Note: This article will reference a famous moment in the history of gymnastics, which you can watch here.

In 1987, readers caught a glimpse of Elena Davydova’s next chapter — one shaped not by competition, but by research, teaching, and a vision for gymnastics’ future. Still remembered for her dazzling Olympic floor routine in Moscow that earned her the all-around title, Davydova had turned inward, navigating the difficult transition from world-class athlete to scholar. While completing her Candidate of Sciences dissertation (equivalent to a Ph.D.) at the Lesgaft Institute in Leningrad, she explored innovative ways to enhance elite gymnasts’ preparation, and as a judge, she embraced the sport’s growing emphasis on artistry and individuality.

Note: This interview stands in stark contrast with other interviews published in 1987, notably those of Bilozerchev and Filatova, both of whom admitted that their professors let them skate by in their courses. Meanwhile, Davydova was pursuing higher education.

In 1987, journalists visited Moscow’s Dynamo training center and found a scene that perfectly reflected the energy of its coach: Elvira Saadi. Once a beloved gymnast whose elegance and charisma lit up the competition floor, Saadi had poured that same vitality into coaching. The hall bustled like an anthill, yet under her watchful eye, it ran with order and purpose. She darted from one apparatus to another, her sharp gaze missing no detail, her voice firm one moment and full of laughter the next. It was as though the same spark that captivated audiences in Munich and Montreal now animated her gym, fueling the efforts of a new generation.

The interview that followed revealed both the sternness and the warmth behind her approach. Saadi spoke candidly about the challenges of transitioning from star athlete to mentor, about the disappointments and patience required to truly reach young gymnasts, and about the joy of creating something original together with her pupils. She admitted the complexity of modern gymnastics sometimes frightened even her, but she instilled in her girls courage, ambition, and the drive to think creatively.

Note: The following translation is not an endorsement of Saadi’s coaching. At the time of this writing, Elvira Saadi is permanently banned from working with athletes in Canada. If you’re curious about her move from the Soviet Union to Canada, you can jump to the appendix to read one of the first profiles of Saadi in Canadian newspapers.

In the mid-1970s and early 1980s, Maria Filatova—Masha, as she was affectionately known—stood at the center of Soviet gymnastics. With her lively spirit, quick smile, and natural ease on the competition floor, she became not only a two-time Olympic champion but also one of the sport’s most beloved figures. For many, the “sparrow” of the Soviet team symbolized sincerity and childlike openness, qualities that drew audiences in a Korbutesque way. Yet behind her medals and ovations was a more complex story: a girl molded by demanding coaches, sometimes rebellious, sometimes uncertain, yet ultimately carried forward by a deep love of gymnastics and the camaraderie of her team.

By 1987, Filatova’s life had shifted dramatically. Now Maria Kurbatova, she lived in Minsk as a wife, a mother, and a coach, pouring her warmth and imagination into the youngest generation of gymnasts. Her reflections speak to the hard lessons of her own path: the pressures of early specialization, the sacrifices of education, the challenges of living with her coach, the bittersweet role of being the “opener” on a team, and the struggle to find identity beyond the arena. At the same time, she dreamed of a new kind of coaching—one that balanced discipline with storytelling, study with sport, team spirit with personal growth. In her words and memories, readers will find both a chronicle of the Soviet gymnastics system and a gentle manifesto for a more humane future in sport.

Note: You’ll notice some parallels between Filatova’s philosophy and Kuchinskaya’s. Both advocated for creating well-rounded people — not just athletes.