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1987 Interviews & Profiles USSR WAG

1987: An Interview with Elvira Saadi – “Without Them, the World Would Seem Dim to Me”

In 1987, journalists visited Moscow’s Dynamo training center and found a scene that perfectly reflected the energy of its coach: Elvira Saadi. Once a beloved gymnast whose elegance and charisma lit up the competition floor, Saadi had poured that same vitality into coaching. The hall bustled like an anthill, yet under her watchful eye, it ran with order and purpose. She darted from one apparatus to another, her sharp gaze missing no detail, her voice firm one moment and full of laughter the next. It was as though the same spark that captivated audiences in Munich and Montreal now animated her gym, fueling the efforts of a new generation.

The interview that followed revealed both the sternness and the warmth behind her approach. Saadi spoke candidly about the challenges of transitioning from star athlete to mentor, about the disappointments and patience required to truly reach young gymnasts, and about the joy of creating something original together with her pupils. She admitted the complexity of modern gymnastics sometimes frightened even her, but she instilled in her girls courage, ambition, and the drive to think creatively.

Note: The following translation is not an endorsement of Saadi’s coaching. At the time of this writing, Elvira Saadi is permanently banned from working with athletes in Canada. If you’re curious about her move from the Soviet Union to Canada, you can jump to the appendix to read one of the first profiles of Saadi in Canadian newspapers.

Elvira Saadi, 1973
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1987 Interviews & Profiles USSR WAG

1987: A Personal Essay by Maria Filatova – “Children Need to Be Told Fairy Tales”

In the mid-1970s and early 1980s, Maria Filatova—Masha, as she was affectionately known—stood at the center of Soviet gymnastics. With her lively spirit, quick smile, and natural ease on the competition floor, she became not only a two-time Olympic champion but also one of the sport’s most beloved figures. For many, the “sparrow” of the Soviet team symbolized sincerity and childlike openness, qualities that drew audiences in a Korbutesque way. Yet behind her medals and ovations was a more complex story: a girl molded by demanding coaches, sometimes rebellious, sometimes uncertain, yet ultimately carried forward by a deep love of gymnastics and the camaraderie of her team.

By 1987, Filatova’s life had shifted dramatically. Now Maria Kurbatova, she lived in Minsk as a wife, a mother, and a coach, pouring her warmth and imagination into the youngest generation of gymnasts. Her reflections speak to the hard lessons of her own path: the pressures of early specialization, the sacrifices of education, the challenges of living with her coach, the bittersweet role of being the “opener” on a team, and the struggle to find identity beyond the arena. At the same time, she dreamed of a new kind of coaching—one that balanced discipline with storytelling, study with sport, team spirit with personal growth. In her words and memories, readers will find both a chronicle of the Soviet gymnastics system and a gentle manifesto for a more humane future in sport.

Maria Filatova, Montreal, 1976

Note: You’ll notice some parallels between Filatova’s philosophy and Kuchinskaya’s. Both advocated for creating well-rounded people — not just athletes.

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1987 Interviews & Profiles MAG USSR

1987: An Interview with Dmitry Bilozerchev – “I Will Compete!”

In October 1985, Dmitry Bilozerchev was on top of the world—fresh off dominating the European Championships, including the all-around and five apparatus titles. Then, disaster struck.

Bilozerchev’s Accident

TASS reports: Dmitry Bilozerchev, world and European champion Soviet gymnast, has been injured in a car accident. The 18-year-old star crashed on the highway between Moscow and Sheremetyevo Airport and broke his leg.

Bilozerchev was taken to the Central Traumatology Institute, where he is being treated. It is certain that the reigning world champion will not be able to participate in the World Championships to be held in Montreal from November 3 to 10.

Népsport (Hungary), October 18, 1985

Bilozercsev balesete

A TASZSZ jelenti: DmitrijBilozercsev, világ- és Európa-bajnok szovjet tornászautóbalesetet szenvedett. A18 esztendős kiválóság aMoszkva és a Seremetyevóirepülőtér közötti autóútonkarambolozott és lábát törte.

Bilozercsevet a Központi Traumatológiai Intézetbeszállították, ott kezelik. Biztos, hogy a világbajnokicímvédő nem lehet ott a november 3—10. közötti, Montrealban lebonyolítandó VB-n. 

What the headlines didn’t reveal was that he had been drinking and that his leg wasn’t just broken—it was shattered in more than 40 places. The reigning world champion, suddenly sidelined, missed the 1985 championships in Montreal and faced the very real possibility that he might never compete again. And yet, by mid-1986, whispers of a comeback began:

During the Goodwill Games, the Izvestia press center will be available to readers daily from 11 a.m. to 1 p.m. at this telephone number. 

— Why did the world all-around champion D. Bilozerchev not take part in the gymnastics competitions?
Zh. Allakhverdiev.
Ulan-Ude.

Muscovite D. Bilozerchev did not compete in the Games because several months ago, he suffered a serious leg injury. He has now resumed training and, in time, will once again appear on the gymnastics podium.

Izvestia, July 19, 1986

По этому номеру телефона пресс-центр «Известий» ежедневно с 11 до 13 часов на время Игр доброй воли держит связь с читателями газеты. 

— Почему в соревнованияхпо спортивной гимнастике не участвовал абсолютный чемпион мира Д. Билозерчев? Ж. АЛЛАХВЕРДИЕВ. 

УЛАН-УДЭ. 

Москвич Д. Билозерчевневыступал в Играх, так как н есколько месяцев назад получилсерьезную  травму ноги. Сейчасон приступил к тренировкам исо временем вновь выйдет длясоревнований на гимнастический помост. 

By 1987, Sovetsky Sport brought him back into the media spotlight with his first major interview. In it, Bilozerchev recounts the work ethic that made him the youngest world champion in history, the car crash that nearly ended his career, the subsequent dismissal from the national team, and the grueling climb back after a second leg injury. With candor and determination, he speaks of risk, resilience, and the fierce will to return—ready not just to compete, but to win.

Dmitri Bilozerchev, Seoul Olympics, 1988
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1998 Interviews & Profiles USSR WAG

1998: An Interview with Olga Mostepanova – “I Just Love Children”

In the mid-1980s, Olga Mostepanova was the Soviet team’s golden child—the gymnast who achieved the impossible: a perfect 40.000 at the 1984 Friendship Games, the alternate Olympics for the boycotting socialist nations. Then, just as suddenly as she appeared, she was gone. After Yelena Shushunova replaced her in the all-around at the 1985 world championships, her dazzling career was extinguished almost overnight. (I discuss this more in the introduction to her 1989 interview.)

When Sovetsky Sport caught up with her in 1998, she was no longer the teenage prodigy who floated through beam routines but a mother of four, balancing domestic life with memories of an extraordinary, abbreviated rise. In this interview, Mostepanova reflects on the pressures of early fame, the injuries that ended her career, and the secret that allowed her to start it so young: a falsified birth certificate. Like other gymnasts of her generation, her age was quietly “adjusted” so she could compete at the senior level before the rules allowed.

What emerges here is not only a portrait of one of gymnastics’ most luminous talents, but also a human story—about ambition, obedience, and the cost of being perfect in a system built on illusions.

1983: Olga Mostepanova does her routine on the balance beam. Mandatory Credit: Tony Duffy /Allsport
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1989 Interviews & Profiles USSR WAG

1989: An Interview with Olga Mostepanova – “There’s Something Inimitable about Her”

At the 1984 Friendship Games, Olga Mostepanova was untouchable. Her perfect 40.00 in the all-around was a triumph of grace, control, and artistry. But just one year later, on the world’s biggest stage, her story took a different turn. At the 1985 World Championships, she faltered on beam during the team optionals.

On balance beam, Olya Mostepanova wobbled badly, as if a powerful gust of wind had burst through the glass doors of the velodrome. What an effort it took for Olya to stay on, not to jump down onto the blue springy mats! By the way, this is precisely an expression of willpower—of courage, if you like. Her deductions were smaller (9.625), yet given the current closeness of the results, Mostepanova slipped two steps back on the tournament ladder, landing in third…

And so now, on our team, there had to be a gymnast who could draw close to the Romanian Ecaterina Szabo, who was breaking away. The burden of leadership was taken on by Yurchenko, the team captain.

Mostepanova was bandaging her leg, waiting for the score to appear on the board. She saw it, pursed her thin lips in frustration. Yurchenko, too, was upset for her teammate and quietly said: “Hold on, Olya.” And the 9.9 that Natasha received on the beam was like a challenge—it was excellent. Away with doubts, away with sadness—the team victory awaited us!

Sovetsky Sport, no. 259, 1985
На бревне сильно зашатало Олю Мостепанову, как будто мощная струя ветра прорвалась сквозь стеклянные двери велодрома. Каких усилий стоило Оле устоять, не спрыгнуть на голубые пружинящие маты! Между прочим, это и есть проявление воли, если хотите — мужества. Сбавки были у неё поменьше (9,625), однако при нынешней плотности результатов Мостепанова сделала два шага назад по турнирной лестенке — она стала третьей…
И вот теперь в нашей команде должна была найтись гимнастка, которая смогла бы вплотную приблизиться к уходящей в отрыв румынке Екатерине Сабо. Бремя лидерства взяла на себя Юрченко, капитан сборной.
Мостепанова бинтовала ногу, ждала оценки на табло. Увидела, поджала от обиды тонкие губы. Юрченко тоже огорчилась за подругу, тихо сказала: «Держись, Оля». И 9,9, полученные Наташей на бревне, были как вызов, это было здорово. Прочь сомнения, прочь грусть — нас ждёт командная победа!
Mostepanova, 1985 Worlds, Team Optionals

Your annual reminder that the skill should not be called an Ónodi on beam.

Though she qualified for the all-around finals, Mostepanova never appeared there, sidelined with an ankle injury. At least, that was the official story at the time.

Experts in our sport will probably be surprised to learn that, in the final, it was not Olya Mostepanova and Irina Baraskanova, who had placed third and fourth respectively, but Oksana Omelianchik and Yelena Shushunova, who had been in sixth and seventh. Because of injuries, the coaches replaced them.

Sovetsky Sport, no. 260, 1985
Знатоки нашего вида, наверное, удивятся, узнав, что в финале от нашей страны выступали не Оля Мостепанова и не Ирина Барасканова, которые занимали соответственно третье и четвертое места, а Оксана Омельянчик и Елена Шушунова, которые были на шестой и седьмой позициях. Из-за травм тренеры их заменили.

But in retrospect, the story was less straightforward. By 1989, Mostepanova didn’t parrot the official story by citing injuries. Instead, she suggested that the Soviets had made a strategic substitution, hoping to topple Romania’s Ecaterina Szabo in the all-around. And that substitution wounded her.

What follows is an interview with Mostepanova from 1989. No longer the golden idol who once received bags of fan mail, she was instead quietly shaping the next generation of gymnasts at Dynamo. This conversation traces her evolution—from the fragile, ethereal star of Olomouc to the patient mentor of Moscow—revealing the resilience that carried her through injury, politics, and heartbreak, and the warmth that still makes her unforgettable, whether on the competition floor or in the gym.

10th International Artistic Gymnastics Tournament for Moscow News, 1983
Categories
1989 Interviews & Profiles USA USSR WAG

1989: An Interview with Lyubov Burda-Andrianova about Coaching in the U.S.

In the late 1980s, as glasnost opened doors once sealed shut, Soviet newspapers published glimpses of life abroad—portraits of exchange, curiosity, and quiet cultural diplomacy. This 1989 article from Sovetsky Sport offers one such window: the story of Olympic champion Lyubov Andrianova (Burda), who spent nearly a year coaching children in Gaithersburg, MD (once the home to Dobre Gymnastics Academy).

What she found there was not just different equipment and coaching methods, but a world of devoted mothers, inquisitive children, and even classes for toddlers and disabled athletes. The article’s title—“Love in America”—is both a pun on Andrianova’s name and a reflection of the warmth she brought home. At once personal and emblematic of the glasnost era, her account invites readers to consider what the Soviet system might learn from its transatlantic counterpart.

Lyubov Burda, Moscow, USSR. 1970.
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1987 Interviews & Profiles USSR WAG

1987: A Personal Essay by Lyubov Burda-Andrianova – “I Look into the Eyes of My Girls”

In 1967, Lyubov Burda stunned Soviet audiences with a dazzling new release move on the uneven bars — the “Burda twirl.” From that moment, her career unfurled with remarkable speed: Olympic team gold in 1968, World Championships medals, a second Olympic title in Munich, and memorable duels with Ludmilla Tourischeva for national supremacy. Yet Burda was never only a prodigy of results and medals; she carried with her the lessons of her coach, Yuri Shtukman, whose patience and humanity shaped her approach both as a gymnast and later as a mentor. By the late 1980s, she was no longer the schoolgirl from Voronezh dazzling crowds, but a coach and mother in Vladimir, navigating the challenges of raising children and guiding the next generation in a sport that had become ever more demanding.

The Burda Twirl

In this personal essay, published in 1987 as part of the Lessons of Life series, Burda-Andrianova reflects on the joys and burdens of coaching girls at a time when Soviet gymnastics was marked by increasing technical difficulty, shrinking age limits, and systemic pressures on both athletes and coaches. Her writing is frank, even raw: she describes the challenging home lives of her gymnasts, overburdened trainers, and a system that rewarded machine-like difficulty over artistry and emotion. Yet through it all runs her abiding love for gymnastics and for her pupils — “my girls,” as she calls them — whose resilience and trust gave her both purpose and hope. What emerges is less a nostalgic look back at a glittering career than a plea for a more humane, more beautiful vision of the sport, one in which gymnastics is not just a test of skill but a formative force in shaping lives.

Moscow, USSR. 1970, Lyubov Burda.
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1987 Interviews & Profiles MAG USSR

1987: A Personal Essay by Mikhail Voronin – “The More I Have Understood”

In this 1987 Sovetsky Sport reflection, Mikhail Voronin—Olympic champion, world champion, and one of the defining figures of Soviet gymnastics in the 1960s—turns his gaze backward. Now in his forties, serving as a coach and federation leader, Voronin considers not only the triumphs and frustrations of his athletic career but also the broader climate of the sport during his time. With the openness of perestroika reshaping public life, he frames his own story against questions of fairness, candor, and responsibility—whether in the judging halls of Mexico City in 1968 or in the meeting rooms of the Soviet gymnastics federation. His voice is that of an athlete who has lived through both glory and disillusionment, and who remains determined to draw meaning from them.

What emerges is not a simple memoir of victories and medals but a meditation on memory, injustice, and legacy. Voronin recalls the sting of controversial judging decisions, the joy of competing alongside legendary teammates and rivals, the slow pace of technical progress within the Soviet system, and the factionalism among coaches that weighed on athletes. Yet the piece also shows a man embracing the spirit of glasnost, learning from criticism, and measuring himself against ideals of loyalty and honor. At its core, Voronin’s account underscores the paradox he quotes from the philosopher Campanella: the more one understands, the more one realizes how much remains unknown. It is both a personal reckoning and a window into the shifting culture of Soviet sport on the eve of profound change.

Note: These interviews should be read against the backdrop of the sweeping cultural shifts taking place in the Soviet Union during the late 1980s. I’ll return to this context at the end of the post, since it is especially relevant to understanding Voronin’s reflections.

Mikhail Voronin, 1972
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1987 Interviews & Profiles USSR WAG

1987: An Interview with Natalia Kuchinskaya – “Gymnastics Is My Love”

Few gymnasts captured the imagination of fans quite like Natalia Kuchinskaya, the so-called “Bride of Mexico,” whose charm and artistry made her one of the most beloved figures of the 1968 Olympic Games. Though she stepped away from competition shortly thereafter, the memory of her performances lingered for years, with admirers hoping she might one day return to the floor. Instead, her path took her far beyond medals and routines—almost to the circus ring. But ultimately, she returned to the sport in a new role: coach and mentor to a new generation of gymnasts in Kyiv.

In this 1987 interview, Kuchinskaya reflects on her journey from teenage prodigy to thoughtful coach, offering insights into the challenges of children’s sports, the dangers of overemphasizing technical difficulty at the expense of artistry, and the responsibility coaches have to raise not only athletes but also well-rounded human beings. She speaks with both honesty and warmth about her own missteps, her admiration for Věra Čáslavská, her pride in Ukrainian gymnasts like Oksana Omelianchik, and her belief that gymnastics, at its core, is not just competition but happiness born of dedication and love.

German gymnast Gundula Huth (l) films Russian gymnast Natalia Kuchinskaya at the 16th acrobatic gymnast world championship in Dortmund on the 21st of September in 1966. (Photo by Schirner Sportfoto-Archiv/picture alliance via Getty Images)
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1987 Interviews & Profiles USSR WAG

1987: An Interview with Larisa Petrik – “I Always Sought Inspiration”

What happens after the medals are won? For Olympic champion Larisa Petrik, the real challenge of sport was not the saltos or the spotlight, but what comes next. “You must constantly think about the future, not live only for today,” she stated in an 1987 interview. “Sooner or later, you have to part with sport, and then you have to start life from scratch. And how will you start it if all you know how to do is ‘whip out’ incredible saltos?”

In this interview from Sovetsky Sport from 1987, Petrik looked back on her career with honesty and warmth—sharing memories of her legendary floor routines, her thoughts on today’s gymnasts, and the lessons that endure long after the competition ends.

1968 Olympic Games, Mexico City, Mexico, Women’s Gymanstics, Floor Event, Shared gold medal winners Vera Caslavska of Czechoslovakia and Larissa Petrik of the USSR stand on the podium along with bronze medallist Natalya Kuchinskaya of the USSR (R) (Photo by Popperfoto via Getty Images/Getty Images)