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1989 Interviews & Profiles USSR WAG

1989: An Interview with Olga Mostepanova – “There’s Something Inimitable about Her”

At the 1984 Friendship Games, Olga Mostepanova was untouchable. Her perfect 40.00 in the all-around was a triumph of grace, control, and artistry. But just one year later, on the world’s biggest stage, her story took a different turn. At the 1985 World Championships, she faltered on beam during the team optionals.

On balance beam, Olya Mostepanova wobbled badly, as if a powerful gust of wind had burst through the glass doors of the velodrome. What an effort it took for Olya to stay on, not to jump down onto the blue springy mats! By the way, this is precisely an expression of willpower—of courage, if you like. Her deductions were smaller (9.625), yet given the current closeness of the results, Mostepanova slipped two steps back on the tournament ladder, landing in third…

And so now, on our team, there had to be a gymnast who could draw close to the Romanian Ecaterina Szabo, who was breaking away. The burden of leadership was taken on by Yurchenko, the team captain.

Mostepanova was bandaging her leg, waiting for the score to appear on the board. She saw it, pursed her thin lips in frustration. Yurchenko, too, was upset for her teammate and quietly said: “Hold on, Olya.” And the 9.9 that Natasha received on the beam was like a challenge—it was excellent. Away with doubts, away with sadness—the team victory awaited us!

Sovetsky Sport, no. 259, 1985
На бревне сильно зашатало Олю Мостепанову, как будто мощная струя ветра прорвалась сквозь стеклянные двери велодрома. Каких усилий стоило Оле устоять, не спрыгнуть на голубые пружинящие маты! Между прочим, это и есть проявление воли, если хотите — мужества. Сбавки были у неё поменьше (9,625), однако при нынешней плотности результатов Мостепанова сделала два шага назад по турнирной лестенке — она стала третьей…
И вот теперь в нашей команде должна была найтись гимнастка, которая смогла бы вплотную приблизиться к уходящей в отрыв румынке Екатерине Сабо. Бремя лидерства взяла на себя Юрченко, капитан сборной.
Мостепанова бинтовала ногу, ждала оценки на табло. Увидела, поджала от обиды тонкие губы. Юрченко тоже огорчилась за подругу, тихо сказала: «Держись, Оля». И 9,9, полученные Наташей на бревне, были как вызов, это было здорово. Прочь сомнения, прочь грусть — нас ждёт командная победа!
Mostepanova, 1985 Worlds, Team Optionals

Your annual reminder that the skill should not be called an Ónodi on beam.

Though she qualified for the all-around finals, Mostepanova never appeared there, sidelined with an ankle injury. At least, that was the official story at the time.

Experts in our sport will probably be surprised to learn that, in the final, it was not Olya Mostepanova and Irina Baraskanova, who had placed third and fourth respectively, but Oksana Omelianchik and Yelena Shushunova, who had been in sixth and seventh. Because of injuries, the coaches replaced them.

Sovetsky Sport, no. 260, 1985
Знатоки нашего вида, наверное, удивятся, узнав, что в финале от нашей страны выступали не Оля Мостепанова и не Ирина Барасканова, которые занимали соответственно третье и четвертое места, а Оксана Омельянчик и Елена Шушунова, которые были на шестой и седьмой позициях. Из-за травм тренеры их заменили.

But in retrospect, the story was less straightforward. By 1989, Mostepanova didn’t parrot the official story by citing injuries. Instead, she suggested that the Soviets had made a strategic substitution, hoping to topple Romania’s Ecaterina Szabo in the all-around. And that substitution wounded her.

What follows is an interview with Mostepanova from 1989. No longer the golden idol who once received bags of fan mail, she was instead quietly shaping the next generation of gymnasts at Dynamo. This conversation traces her evolution—from the fragile, ethereal star of Olomouc to the patient mentor of Moscow—revealing the resilience that carried her through injury, politics, and heartbreak, and the warmth that still makes her unforgettable, whether on the competition floor or in the gym.

10th International Artistic Gymnastics Tournament for Moscow News, 1983
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1989 Interviews & Profiles USA USSR WAG

1989: An Interview with Lyubov Burda-Andrianova about Coaching in the U.S.

In the late 1980s, as glasnost opened doors once sealed shut, Soviet newspapers published glimpses of life abroad—portraits of exchange, curiosity, and quiet cultural diplomacy. This 1989 article from Sovetsky Sport offers one such window: the story of Olympic champion Lyubov Andrianova (Burda), who spent nearly a year coaching children in Gaithersburg, MD (once the home to Dobre Gymnastics Academy).

What she found there was not just different equipment and coaching methods, but a world of devoted mothers, inquisitive children, and even classes for toddlers and disabled athletes. The article’s title—“Love in America”—is both a pun on Andrianova’s name and a reflection of the warmth she brought home. At once personal and emblematic of the glasnost era, her account invites readers to consider what the Soviet system might learn from its transatlantic counterpart.

Lyubov Burda, Moscow, USSR. 1970.
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1980 1989 Interviews & Profiles USSR WAG

1989: Elena Mukhina Addresses the Myths in “After Fame, After Tragedy”

“Let’s do this without any sensationalism,” Elena Mukhina said in her 1989 interview with Sovetsky Sport. “I’m tired of sensationalism. I live like any other disabled person, and there’s nothing sensational in such a life.”

In the nine years that had passed since her accident—nine years since that summer when she was twenty and the Olympics opened without her—urban legends had grown like weeds: about the tumbling pass, about the coaches, about a miracle recovery. She knew them all, and she knew they weren’t true. “So much has been said,” she remarked.

The article that follows takes those urban legends one by one, stripping them down to their core. Legend One asks who was to blame: the coach who pushed too hard, the head coach who couldn’t stand his ground, or the gymnast herself, who had tried to speak but was not heard. It considers the diuretic that may have stripped calcium as ruthlessly as the system stripped agency, and the silence that followed. Legend Two turns to Valentin Dikul, the rehabilitation specialist whose name became shorthand for salvation, and to Mukhina’s refusal of treatment—born not of despair but of realism about her own body, already worn thin. Legend Three dismantles the rumor mill that insisted “Mukhina walks,” a myth that traveled across the globe.

What she offered instead of myth was testimony, calm and unsentimental. “You can’t trample over someone’s individuality for the sake of a medal,” she said. Her words came not as an indictment shouted from a podium but as the lived truth of someone who had already paid the price. In the wake of her injury, she described the sense of release: “Immediately, I felt freedom. Freedom from a coach’s dictatorship, freedom from everything. It was an extraordinary, almost joyful feeling.” That joy, however, was short-lived, and harsh realities followed. Yet out of that reckoning emerged a different kind of clarity. “I began to value human decency as a great gift,” she said. “Unfortunately, it is rare.”

What follows is a translation of her 1989 interview with Sovetsky Sport. Decades later, it remains as poignant as ever. As her interviewer, Natalia Kalugina, wrote in closing: “When I look at today’s champions, I think: God, may nothing happen to these girls! May their coaches hear them and understand them!”

Moscow, USSR. April 26, 1978. Soviet gymnast Yelena Mukhina performs on the balance beam at Moscow News. Igor Utkin, Alexander Yakovlev/TASS

Note: In my translation, I’ve preserved the bold typeface from the original publication.

Note #2: This is the final part in a four-part series. I’d urge you to first read part 1 (What the Soviet Union Printed about Mukhina’s Accident), part 2 (What the Rest of the World Printed about Mukhina’s Accident), and part 3 (Elena Mukhina Breaks Her Silence in “Grown-up Games”).