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Age China Interviews & Profiles WAG

1986: A Profile of Chen Cuiting – “Like a Spring Swallow Arriving Gracefully”

In 1986 and 1987, Chinese media presented Chen Cuiting as a gymnast perfectly timed for inheritance: the nation’s elegant answer to Romania’s Daniela Silivaș. Reporting from the Seoul Asian Games, a People’s Daily correspondent lingered on her “spring swallow” lightness, praising the ease with which she carried herself to the all-around title. Both that article and a subsequent China Pictorial profile placed her age at fifteen—young, but properly arrived.

The China Pictorial piece, published in February 1987, filled in the arc behind the moment. Born on July 15, 1971, in Changsha, Hunan, Chen had risen from a raw “tumblebug”—a nickname earned for her explosive tumbling—into a national champion who, as the magazine put it, had learned to “smile spontaneously to the music.” It was a familiar story of discipline refined into artistry, told at precisely the point when promise seemed to be turning into permanence.

From today’s vantage point, however, that narrative no longer sits so easily. Across both Chinese- and English-language websites, Chen’s birthdate now appears as November 15, 1972. If accurate, she would have been only thirteen, turning fourteen, during the 1986 season—below the minimum age of fifteen required for senior international competition. The confident certainties of the mid-1980s press thus coexist uneasily with a digital record that rewrites the calendar.

Whatever the truth of her age, Chen Cuiting’s competitive record is unmistakable. She dominated Chinese women’s gymnastics through the late 1980s, breaking out internationally at the 1986 Asian Games with team gold, all-around gold, floor gold, and vault silver. She remained the country’s leading all-arounder at home, winning the title at the 1987 National Games and the 1988 National Championships. Though her Seoul Olympics yielded no individual medals—fourteenth in the all-around, sixth with the team—she rebounded at the 1989 World Championships with team bronze and top-six finishes in the all-around, beam, and floor. Her career closed where it had begun to crest: at the 1990 Asian Games in Beijing, she again swept gold in the team, all-around, and floor, adding another vault silver before retiring. In just five years, she anchored the national team through a transitional era, her dominance unquestioned even as the story told about her grew more complicated.

Chen Cuiting, 1986, Goodwill Games
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1981 Age China Interviews & Profiles WAG

1981: A Profile Ma Yanhong – “She Trains Diligently as Always”

When Ma Yanhong scored 19.825 on uneven bars at the 1979 World Championships in Fort Worth, Texas, she became the first Chinese gymnast to win a world title. The moment carried weight beyond sport. It was December 1979, just months after the United States and the People’s Republic of China had established full diplomatic relations, and American spectators watched the five-star red flag rise in a Texas arena. A fifteen-year-old from the Bayi military sports team had arrived on the world stage at a pivotal moment in both gymnastics history and geopolitical realignment.

The two articles translated here—one an immediate dispatch from Xinhua News Agency filed from Fort Worth, the other a 1981 profile from the People’s Daily—show how Chinese state media framed this breakthrough. They follow familiar patterns of socialist sports journalism: diligence and endurance, sacrifice of personal comfort for collective glory, the coach’s discernment, and the athlete’s humility in victory.

At the same time, these reports preserve a vivid record of elite athletic life in late-1970s China. They describe a life of extreme (and unhealthy) discipline: cracked lips from dehydration, severely restricted food intake, and hands hardened by hundreds of repetitions of release moves. This is sports journalism in the service of a state narrative, but it is also lived reality. These accounts capture details that help us understand China’s re-emergence as a world power in women’s gymnastics.

Read closely, the articles also hint at unresolved questions. The ages they cite—fourteen at the 1978 Asian Games and fifteen in December 1979—imply a 1964 birth year. When International Gymnast interviewed her in 1999, the magazine reported her birthdate as March 21, 1964. However, at the 1984 Olympics, Ma’s official competitive date of birth was July 5, 1963. Under either birth year, Ma was age-eligible to compete at the 1979 World Championships. The puzzle, then, is not eligibility but motive: why alter her date of birth at all?

Unfortunately, the articles do not answer that question. Nonetheless, I hope that you can enjoy these articles about Ma, whose bar work, according to International Gymnast, possessed “a quality that has never been surpassed.”

Ma Yanhong, 1984 Olympics

For more historical context, see:

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1981 China Interviews & Profiles MAG

1981: A Profile of Li Ning – “A New Star of Gymnastics”

These three People’s Daily articles, spanning fourteen years from 1981 to 1995, trace the arc of Li Ning’s transformation from teenage gymnastics prodigy to business entrepreneur. Read together, they chart not only an individual career but a broader shift in Chinese sport and society, as the values and constraints of Mao-era athletic culture gradually gave way to new possibilities.

The first piece, published on August 30, 1981, introduces Li Ning at eighteen as a rising talent who had just won China’s first gold medal at the World University Games in Bucharest. Its narrative structure would become familiar in Chinese sports journalism: early discovery, setbacks overcome through ideological commitment, and moral guidance from exemplary teammates—in this case, Tong Fei. Li Ning appears here as a product of the state sports system at its ideological peak, his achievements framed primarily in terms of collective honor, discipline, and service to the nation rather than personal advancement.

By the end of the 1980s, both Li Ning’s career and China itself were entering a period of profound transition. Following the death of Mao Zedong in 1976, Deng Xiaoping initiated a series of economic reforms that gradually loosened the rigid command economy of the Mao years. Limited private enterprise and selective engagement with foreign capital were introduced, even as Communist Party control remained firmly in place. In the early 1980s, these reforms were tentative and uneven; by the early 1990s, they had begun to reshape everyday life, labor, and ambition, including elite sport.

It is against this backdrop that the second article, published in October 1990, finds Li Ning navigating unfamiliar terrain. Retired from gymnastics, he had joined Jianlibao, a state-owned sports drink manufacturer, to help develop China’s first indigenous sportswear brand. The piece reveals an athlete unsettled by the indignity of competing in foreign-branded clothing and determined to create a Chinese alternative. In a familiar literary trope about emerging markets, we witness Li Ning trying to cut across time and space in impossible ways. The writer even suggests that, for the retired gymnast, time itself has become three-dimensional.

The final piece, from March 1995, is an obituary for Li Ning’s mother. Qin Zhenmei, who died of cancer at fifty-four, is presented as the archetype of the self-sacrificing Chinese mother—a mother who went to great lengths to sew her son a training uniform and who promoted her son’s clothing brand from her deathbed. Yet the article is equally structured around Li Ning’s confession of filial failure—his admission that years of relentless work left him scarcely present at her bedside, sharing only three meals with her in her final year. Here, personal loss and moral regret serve to place commercial success within an acceptable moral framework, ensuring that entrepreneurial achievement does not appear to override traditional obligations.

Enjoy this longitudinal view of Li Ning’s biography, as refracted through the People’s Daily.

Li Ning, 1984
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China Interviews & Profiles MAG

1982: A Personal Essay by Tong Fei – “A Person Must Have Some Spirit”

“A Person Must Have Some Spirit” appeared in the People’s Daily on January 2, 1982. It was attributed to Tong Fei, one of China’s pioneering male gymnasts in the early reform era. The essay recounts his performance at the 1981 Grand Prix in Paris, where—competing just days after suffering a concussion in a car accident—he won three gold medals and an all-around silver.

Tong’s account offers a window into Chinese gymnastics culture at a crucial moment: China had only recently rejoined the international gymnastics community after decades of isolation, and athletes like Tong were among the first generation to compete regularly against Western and Soviet opponents. Published in the Communist Party’s official newspaper, the piece follows the conventions of socialist-realist athlete narratives, emphasizing collective duty, national honor, and ideological commitment over individual achievement. Yet beneath the formulaic rhetoric lies a genuine athletic feat and a glimpse of the mentality that would soon propel Chinese gymnastics to world dominance.

The essay also references Li Yuejiu, another pioneering Chinese gymnast who had competed through injury at the 1980 Alternative Games in Hartford, Connecticut. He established a template of athletic sacrifice that Tong explicitly invokes as precedent.

Tong Fei, 1984
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1982 China Interviews & Profiles MAG

1982: A Profile of Li Yuejiu – “An Explorer of Beauty”

The following profile of Chinese gymnast Li Yuejiu, published in the People’s Daily on March 29, 1982, exemplifies the distinctive style of state-sponsored sports journalism in early reform-era China. Written by Lu Guang for the Communist Party’s official newspaper, the piece transforms Li’s 1981 gymnastics career into an extended parable about patriotic sacrifice, revolutionary determination, and the superiority of socialist training methods.

The article’s rhetorical construction reveals much about how Chinese state media framed elite sport during this period. Li’s physical “shortcomings” become opportunities to demonstrate that socialist willpower can overcome natural limitations. His Hartford injury transforms into a morality play about bleeding for the motherland. The defeat of Japan carries obvious nationalist symbolism, framed through the “watermelon banquet” vow. Most explicitly, the profile’s final section—”The Flag in His Heart”—abandons any pretense of sports journalism for pure propagandistic celebration, with the five-star red flag appearing obsessively throughout Li’s training diary and “filling the space of the gymnasium” in his vision.

Despite its heavy ideological overtones, the profile does document genuine athletic innovation. Li Yuejiu was indeed a groundbreaking tumbler who became China’s first world champion in men’s gymnastics. (Li Xiaoping also won gold on pommel horse in 1981.) The challenge for contemporary readers is separating the factual athletic narrative from its ideological packaging. It requires recognizing both Li’s legitimate achievements and the ways those achievements were instrumentalized by state media to serve broader political purposes during a pivotal moment in Chinese sports history.

Enjoy this piece about the gymnast whom the Hartford Courant described as a “tiny fireplug” who “exudes charisma and elan.”

Li Yuejiu, 1984
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1978 China FIG Bulletin

1978: The People’s Republic of China Rejoins the FIG

Where were China’s gymnasts in the 1970s? Why did they suddenly appear again at the 1979 World Championships, where Ma Yanhong tied for gold on uneven bars?

The answer has to do with the People’s Republic of China’s status with the FIG. Sounds kind of dull, right? But I don’t know that you can call delegations storming in and out of an FIG meeting “dull.” At any rate, unless you were a gymnastics fan in the 1970s, you might not know the story of China’s readmittance to the FIG because little has been written in English about the subject.

To be sure, this story touches upon the relationship between China and Taiwan, which, to state the obvious, is a complicated one. I am not about to dive into centuries of Chinese and Taiwanese cultural and sports history. Instead, this story will be told primarily through the FIG’s very own minutes — with a little IOC history sprinkled in for context.

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1973 China MAG WAG

1973: Yu Liefeng, Xu Guoning, and Cheng Chunxia Win Chinese Nationals

In May of 1973, many of China’s top gymnasts traveled to the United States for a tour and a competition at Madison Square Garden in New York City. Meanwhile, back in China, the country held its national championships. On the men’s side, Yu Liefeng won the all-around, and Xu Guoning and Cheng Chunxia tied for first place on the women’s side.

Below, you can find an article on the competition.

于烈峰(右)获1962年世锦赛鞍马季军后与宋子玉教练合影

Yu Liefeng (right) took a photo with coach Song Ziyu after winning third place on pommel horse at the 1962 World Championships

Source
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1973 China USA

1973: China Travels to the U.S. for a Tour

In May of 1973, the Chinese gymnastics team traveled to New York City, where they competed against U.S. gymnasts at Madison Square Garden. 

This was a big deal. I repeat: A big deal. 

From a gymnastics perspective, the visit was part of China’s re-emergence in the international gymnastics scene. In 1964, China withdrew from the FIG due to the organization’s two China policy, and during the Great Cultural Revolution, Chinese gymnasts all but disappeared from international competitions. Then, in the early 1970s, Chinese gymnasts began to compete in smaller competitions. For example, they traveled to Romania in 1972.

But there was something different about this trip in 1973. Whereas Romania was a communist country, the United States was the symbol of capitalism. So, from a political perspective, the visit signaled the further thawing of U.S-Chinese relations and was further evidence of a pronounced shift in China’s foreign policy. (Previously, U.S. ping pong players had traveled to Beijing in April of 1971, and President Richard Nixon had visited China in February of 1972. More on that in the appendix.)

What follows are the results, as well as newspaper accounts from China and the U.S.

Note: If you’ve watched Gymnastics’ Greatest Stars, this is the competition where the Chinese pianist improvised after Nancy Thies’s tape broke.

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1972 China MAG WAG

1972: Yang Mingming and Jiang Shaoyi Win Chinese Nationals

The 1972 Chinese Nationals were the first major domestic competition after the Cultural Revolution. Launched in 1966 by Mao Zedong, the Great Proletarian Cultural Revolution — in very broad terms — set out to preserve Chinese communism by purging remnants of capitalism.

From a sports perspective, the revolution majorly impacted China’s national and international involvement. For starters, most of the national teams were disbanded. Gymnastics was an exception:

Apart from table tennis, gymnastics, and athletics teams, most national teams were disbanded.

Fong and Zhouxiang, “Sport in the Great Proletarian Cultural Revolution (1966–1976)”

What follows is a translation of an article about the national championships in 1972. Unfortunately, the scores were not listed, but we can see which gymnasts would form the core of Chinese gymnastics as they started to compete in more international competitions in the early 1970s.

Reminder: The Chinese gymnastics team traveled to Yugoslavia and Romania before it held its first official national championships in 1972. 

Among the juniors, you might notice a familiar name: Li Yuejiu, who tied for gold on floor exercise at the 1981 World Championships and who currently coaches in the United States.

Jiang Shaoyi, China
Jiang Shaoyi
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1972 China MAG Romania WAG

1972: China Travels to Romania for a Dual Meet

In June of 1971, Nicolae Ceauşescu, the general secretary of the Romanian Communist Party, paid a visit to China and North Korea. 

One year later, Chinese gymnasts went to Romania for a competition.

Note: We’ll see a similar timeline between the U.S. and China with Nixon going to China in 1972 and Chinese gymnasts traveling to the United States in 1973.

While the Chinese men’s team defeated the Romanian team, the Chinese women were not as successful. After the competition, the teams held joint training sessions, during which the Chinese gymnasts learned the compulsory routines. Apparently, Cai Huanzong’s routines looked even better than the figures used to depict the compulsory routines.

Note: After Ceauşescu’s visit to China, he published the “July Theses,” which ended a period of ideological diversity and cultural liberalization in Romania. A list of banned books, for example, was reinstated. Academics debate the extent to which Chinese political thought influenced Ceauşescu.

Note #2: China withdrew from the FIG in 1964, so this meet was important because it showed that China was dipping its toes back into the waters of international competition after a long absence.

Source: Sportul, July 19, 1972