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Doping East Germany MAG WAG

“You Don’t Treat Children Like That”: The Pharmaceutical Manipulation of East German Gymnasts

The roar in Seoul’s Olympic Gymnastics Hall is deafening as Dagmar Kersten dismounts from the uneven bars. It’s September 1988, and the seventeen-year-old has just executed an exquisite routine. Despite a small hop on the landing, a 10.0 flashes on the scoreboard. But perfection isn’t enough. Romanian Daniela Silivaș, who built an insurmountable lead after compulsories and optionals, takes gold with a perfect total of 20 points. Kersten’s silver is still East Germany’s highest finish in women’s gymnastics at these Games, confirming that the legacy of Karin Janz and Maxi Gnauck is still alive and well.

What Kersten doesn’t know—what she won’t discover until years later, after the Wall falls and the archives open—is that she’s been part of an experiment. The pills her coaches gave her weren’t just vitamins. She was a test subject in one of the most sophisticated pharmaceutical programs ever applied to athletes, a system that treated her body as a laboratory and her performance as scientific data.

“I would never have thought that something like that existed among us—it was outrageous,” Kersten would later say. “That’s why the whole process of confronting it was so shocking, as well. That’s when you realized that you had been used for such things. I had always seen the people we trusted as people who saw us as human beings. You don’t treat children like that; it’s the very last thing anyone in a position of trust should exploit. It’s also outrageous that some of this is still being covered up today. It’s a slap in the face to those who are now reading their files from back then. To deny that such things were possible at the time is an insult. There’s more than enough evidence. People always say, ‘We’d rather not talk about that.’ It’s such a shame that this topic can’t simply be discussed openly. No one wants to face it. No one wants to engage with the gymnasts of that time. We were given psychotropic drugs and OT [Oral-Turinabol]. Some of these substances were even tested by the NVA [National People’s Army]. They were supposed to help gymnasts who fell react more quickly. Anabolic steroids weren’t the only things they could give.”[1]

For decades, the gymnastics world believed its sport stood apart from the chemical manipulations reshaping track and field, swimming, and weightlifting. Doping, the conventional wisdom went, was incompatible with a discipline requiring grace, balance, and split-second coordination. Steroids built bulk; gymnastics required mobility. The logic seemed airtight.

But the archives of the Ministry for State Security tell a different story.

Dagmar Kersten, 1988 Olympics. Kersten has been the most vocal East German gymnast on the subject of doping.

Note: This article is not intended as medical advice, nor does it endorse the use of steroids. It is a historical account based on a collection of Stasi files.
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1990 Doping Interviews & Profiles USSR

1990: A Conversation with Olga Karaseva – “Imagine Yourself a Creator”

Olga Karaseva won Olympic gold in 1968, became world champion in 1970, and won medals on every event at the 1969 European Championships—taking silver in the all-around and gold on floor. Her career blazed briefly but brilliantly, embodying the elegance that made Soviet gymnastics compulsory viewing in those years. But by twenty-three, she was finished competing and felt, as she puts it, that “no one needed me anymore.”

In this 1990 conversation with sports writer Gennady Semar, Karaseva examines what the Soviet system did to athletes: how it created champions and then abandoned them, how it corroded the moral foundations that once made sport meaningful. She speaks with unusual candor about the collapse of purpose after competition ends, the loss of expertise as former athletes drift into bureaucratic roles, and the absence of any social safety net once the applause stops. Yet she’s not bitter. She counts herself fortunate—her coaches were “people of high human qualities,” and she escaped both the coercive “stick” of brutal training and what she calls the “chemicalization” of sport, a process she describes as “the destruction of the soul” that ruins both health and integrity.

For Karaseva, the crisis isn’t only institutional or pharmacological—it’s spiritual. Athletes, she insists, must be understood not as expendable performers but as whole people whose cultural development, imagination, and artistry are inseparable from their physical achievements. To save sport, she argues, means recognizing athletes as creators, not gladiators.

Note: Olga Karaseva passed away at the end of October at the age of 77.

Olga Karaseva, 1968
Categories
1990 Canada FIG Leadership Interviews & Profiles USSR World Cup

1990: An Interview with Yuri Titov – “Life in a Tie”

In this 1990 interview, Yuri Titov — the long-serving president of the International Gymnastics Federation (FIG) — speaks not of glamour or privilege but of long hours in meeting rooms, piles of documents, and the constant struggle to keep the sport fair. Early injustices in his own career, he recalls, convinced him that “athletes must be led by athletes.” As FIG president, he turned that conviction into policy: revising the federation’s statutes to curb presidential power, creating twelve commissions to share decision-making, and championing more objective judging through mathematical analysis and a standardized six-judge system. He even proposed sanctioning entire federations for corruption on the competition floor. Balancing the competing demands of his country, the FIG, and its member organizations was never easy — especially in a political culture where, as Titov recalls with wry humor, a senior Soviet sports official once warned him that if he didn’t “work for the benefit of the Soviet Union,” he might “fall ill for a long time.” Yet Titov managed to navigate those pressures and the politics of world gymnastics for two decades.

Yuri Titov, February 1958, Moscow, USSR
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1990 Interviews & Profiles USSR WAG

1990: An Interview with Larisa Latynina – “Stars Don’t Have Easy Characters”

Larisa Latynina has never been content to rest on her legend. The nine-time Olympic champion—whose name still defines an era of Soviet gymnastics—has lived many lives: prodigy, national icon, iron-willed head coach, and, later, the quiet architect behind Moscow’s next generation of stars. When Nadia Comăneci enchanted the world in 1976, it was Latynina who paid the price at home—forced to step down as head coach despite the fact that the Soviet women’s team had never lost a single Olympic or World Championship title under her leadership. In this interview from 1990, she reflects on the complexities of leadership, the stubbornness of talent, and the moral weight of guiding the sport she once ruled. Latynina speaks candidly about the fierce personalities she nurtured—Korbut, Tourischeva, Kim—and about one of her later instincts that proved prophetic: championing a young Svetlana Boginskaya when few others saw what she did. Her story is one of brilliance tempered by conviction—and of a woman who, even after the spotlight dimmed, never stopped shaping the stage.

Natalia Kuchinskaya, Larisa Latynina, 1966
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1990 Interviews & Profiles USSR WAG

1990: An Interview Zinaida Voronina – “A Withered Flower Comes Back to Life in Spring”

She once carried the Soviet women’s team to Olympic gold in Mexico City, winning three individual medals, including silver in the all-around. Two years later, as a young mother, she returned to capture four more at the 1970 World Championships in Ljubljana. But after missing the 1972 Olympics, she slipped from public view—spoken of through whispers and cruel clichés about wasted talent. By 1990, Zinaida Voronina was no longer a star on the podium but a worker at a foundry, battling the weight of her past and the fog of alcoholism. And yet, the letter of a fan from Estonia—and her own unyielding resilience—brought her back into the light. In this rare and deeply personal conversation, Voronina speaks with candor about triumph, shame, survival, and the fragile hope of finding her way again.

Zinaida Voronina, 1970 World Championships
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1988 Interviews & Profiles USSR WAG

1988: An Interview with Polina Astakhova – “The Blue Wind Whispers to Me”

She was once called the “Russian birch”—slender, graceful, resilient. With five Olympic gold medals to her name, Polina Astakhova never flaunted her triumphs. Former teammate Natalia Kuchinskaya remembered her most vividly for a quiet act of kindness on the balance beam. Yet in competition, Astakhova was unshakable: the leader who returned to the floor only twenty minutes after tears in Rome, composed and determined.

By 1988, she was no longer the star of Rome or Tokyo but the head coach of Ukraine’s national team. At the training base in Koncha Zaspa, she spoke less about medals than about children—about the blank slates entrusted to her care, about the culture and artistry of sport, about shaping gymnasts not only as athletes but as people. Looking back, it is clear that behind the legend of the “Russian birch” was something deeper: a coach and champion who believed that strength and humanity must always go hand in hand.

Rome, Italy. September 5-10, 1960. Soviet gymnast Polina Astakhova performs her floor routine at the 1960 Summer Olympics in Rome.
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1986 Interviews & Profiles USSR WAG

1986: A Personal Essay by Tourischeva -“Not for Fear, but for Conscience”

In the world of elite gymnastics, few names carry the weight and quiet strength of Ludmila Tourischeva. A legend of the sport and a symbol of grace under pressure, Tourischeva competed not for fame, but from a deep sense of duty and conscience — to herself, her team, and her craft. In “Not for Fear, but for Conscience,” she reflects not just on a single competition, but on the inner battles that defined her career: fear, pain, perseverance, and the will to rise again. Her story is not only about medals and records, but about what it means to endure, to evolve, and to triumph with dignity.

Her medals came at a cost. As we’ll see, Tourischeva pushed herself into unhealthy weight-loss tactics, even starvation at times. This interview appeared before Elena Mukhina later spoke openly about doing additional conditioning to shed weight and the widespread use of diuretics on the Soviet team. For readers sensitive to these issues, please read with care.

Ludmila Tourischeva, 1972 Olympics

Note: This article will reference a famous moment in the history of gymnastics, which you can watch here.

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1987 Interviews & Profiles MAG USSR

1987: A Personal Essay by Viktor Klimenko – “The Fate of the Korchagins”

In this 1987 personal essay for the “Lessons of Life” series in Sovetsky Sport, Olympic champion Klimenko reflects on a career shaped by injury, recovery, and a sense of duty that extended far beyond the gym. For him, sports were never a pastime; they were labor, discipline, and a test of moral character.

After retiring from artistic gymnastics, Klimenko took an unexpected path: he became head coach of the USSR rhythmic gymnastics team. Yes, rhythmic gymnastics. (That detail is absent from his Wikipedia page.) There, he brought the same integrity and rigor that had guided his own athletic career, insisting that selection be based on merit rather than favoritism.

This essay offers a glimpse into that Soviet sporting ethos. Klimenko writes with the moral clarity of someone raised on Nikolai Ostrovsky’s How the Steel Was Tempered and its unbreakable hero, Pavel Korchagin. But beyond the slogans and the steel lies something more human: the quiet persistence of an athlete who refuses to give up — whether on the competition floor, in physical therapy, or in the long work of shaping others.

Viktor Klimenko, 1970 World Championships

Note: It’s interesting to compare and contrast these profiles and interviews in Sovetsky Sport. Whereas Klimenko is presented as adhering to the ideals of a 1934 novel, Mikhail Voronin was presented as a man of the zeitgeist of the late 1980s.

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1980 2025 USSR WAG

2025: Recollections of Mukhina’s Life – “That’s Why God Punished Me…”

In July 1980, on the eve of the Moscow Olympics, 20-year-old Soviet gymnast Elena Mukhina attempted a new tumbling pass that went fatally wrong, leaving her paralyzed from the neck down. Once one of the brightest stars in world gymnastics — a world all-around champion and a rival even Nadia Comăneci feared — she would spend the next twenty-six years confined to her bed, sustained by the devotion of a few extraordinary friends.

This article, drawn from the recollections of those who cared for her, traces the quiet heroism of a woman whose body was broken but whose spirit never was — a story not only of tragedy, but of endurance, grace, and the humanity that surrounded her until the very end.

Elena Mukhina, 1978
Categories
East Germany European Championships MAG Politics West Germany

1975: Wolfgang Thüne Defects from East Germany with the Help of Eberhard Gienger

At the 1975 European Championships in Bern, Switzerland, Nikolai Andrianov defeated Eberhard Gienger by a mere 0.050. But the real drama didn’t happen on the competition floor; it unfolded behind the scenes. East German gymnast Wolfgang Thüne, the 1974 silver medalist on high bar, vanished during the post-competition banquet, defecting to the West in an act that stunned his teammates and confused officials. For decades, whispers swirled. Had he hitchhiked across the border?

It wasn’t until 1999 that the truth came out. Eberhard Gienger, the legendary gymnast behind the eponymous high bar release move, had been keeping a secret for 24 years. It was he who had secretly driven Thüne across the border, and their story began in the most unlikely of places: in a bathroom.

Datum: 17.09.1975, Eberhard Gienger (Left), Wolfgang Thüne (Right)