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1974 1976 1980 Books Interviews & Profiles Olympics USSR World Championships

“The Smell of Melon”: Nellie Kim’s 1983 Memoir in Sovetsky Sport

Nellie Kim’s memoir, The Smell of Melon (Zapakh Dyni), was serialized in the Soviet sports newspaper Sovetsky Sport in February 1983, three years after the Moscow Olympics. It traces her journey from childhood in Chimkent (now Shymkent, Kazakhstan) to the pinnacle of international gymnastics.

By then, Kim was already one of the sport’s most decorated athletes: a five-time Olympic gold medalist across the 1976 and 1980 Games, the 1979 world all-around champion, and a key contributor to multiple Soviet team victories at World Championships and other major international competitions.

The Smell of Melon does not focus solely on Kim’s triumphant moments. In fact, it devotes considerable attention to uncertainty, self-doubt, and the long process of becoming an elite athlete. Kim writes candidly about difficult training sessions, conflicts with coaches, homesickness, injuries, and the emotional highs and lows that accompanied her rise through the Soviet gymnastics system. The memoir is also rich in portraits of the people who shaped her career, including her parents, coach Vladimir Baydin, Larisa Latynina, Olga Korbut, Ludmilla Tourischeva, Maria Filatova, and even Nadia Comăneci.

The translation below follows the original 1983 newspaper serialization as it appeared in Sovetsky Sport.

Nellie Kim, 1980 Olympics
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1976 Chunichi Cup Romania WAG

From the 1976 Chunichi Cup: Everything about Comăneci

After the 1976 Chunichi Cup, the organizers published an entire commemorative book dedicated to Nadia Comăneci’s trip to Japan. The volume — titled Everything about Comăneci — captures both the sporting spectacle and the cultural phenomenon surrounding her five-day stay in the country. It was a brief visit by any measure: she arrived at Haneda on November 11, competed on the 13th and 14th, and was on a JAL flight to Hamburg by the morning of the 15th. Yet in that span, she scored two perfect 10s, set an all-time competition record of 39.75, and sent Japan into what the book calls a “white fairy” craze. More than 6,000 tickets had sold out on the day they went on sale, and an additional 1,000 walk-up tickets vanished in two hours to fans who had queued through the night.

The book blends competition reporting with intimate biographical detail: her spartan diet of juice, bread, and apples; the cramped taxi rides with Károlyi and her teammates; her birthday dinner on November 12 — her first celebrated outside Romania — at which she was presented with a Japanese doll and the radio cassette player she had been hoping for. It is a portrait of a 15-year-old navigating the full weight of global celebrity with what the authors describe as a guileless, unaffected ease. Below, you can find select pages and translations from the book.

This might be my favorite photo from the book. The cup was colossal.

The caption reads: Comăneci smiles, Chunichi Cup in hand —
The great crowd gave her their unsparing applause.

中日カップを手にコマネチの微笑
大観衆は惜しみなく拍手を送った
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1976 East Germany Perfect 10 Romania WAG

Defending the Perfect 10: Ellen Berger on Montréal and the Future of Women’s Gymnastics

When the scoreboard at the 1976 Montréal Olympics repeatedly flashed 1.00 — the display’s rendering of a perfect 10.0 — Ellen Berger, the newly elected president of the FIG’s Women’s Technical Committee, was among the officials prepared to defend the judges’ decisions. The marks, she insisted, had been rightfully awarded: they reflected routines of the highest possible perfection. Each 10.0 also signaled, in Berger’s reading, a new stratum of performance quality — an elevation into territory above the 9s that reflected just how dramatically the sport had advanced.

Not everyone agreed. Sovetsky Sport noted at the time that Larisa Latynina had disputed the judgment of the panel — headed by Berger herself — over Comăneci’s perfect 10.0 on compulsory bars, with slow-motion television replays suggesting her dismount landing had not been entirely flawless. For Berger, however, the tens were not an aberration. The path forward for women’s gymnastics, she argued, ran through the pursuit of ever-greater difficulty paired with flawless execution — and Montréal had proven the point.

Nadia Comăneci, 1976 Olympics
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1976 Olympics Perfect 10 Romania USSR WAG

Public Praise, Private Reckoning: The Soviet Response to Nadia Comăneci in 1976

How did the Soviet Union explain Nadia Comăneci?

The fourteen-year-old Romanian gymnast had emerged from the Montréal Olympics as the sport’s ultimate luminary—the new all-around champion, the vanguard who made the perfect 10 famous, and the defining face of the Games.

Few sports occupied a more prominent place in Soviet sporting culture than women’s gymnastics. One might expect Moscow’s reaction to an outsider’s sudden dominance to be defensive, dismissive, or buried in administrative silence. Instead, the Soviet response split along a sharp fault line: Publicly, Comăneci was celebrated; privately, her performances ended careers and forced an institutional reckoning.