The World Championships are a long slog for judges. The 1966 World Championships in Dortmund were no exception, and, at the time, many believed that the length of the competition impacted the judging.

The World Championships are a long slog for judges. The 1966 World Championships in Dortmund were no exception, and, at the time, many believed that the length of the competition impacted the judging.


Recap: Doris Brause’s uneven bars routine created quite the sensation at the 1966 World Championships. When she received a 9.766 on bars, the crowd stopped the meet for over an hour, hoping to coerce the judges into raising her score.
The judges didn’t budge.
But uneven bars would never be the same again.
The gymnastics community was buzzing about the women’s competition in Dortmund in 1966. The Soviet Union brought a younger team to the competition, which raised several questions.
Could the Soviets continue to win the team competition?
Could stalwarts like Čáslavská and Latynina continue to dominate the sport?
*Insert dramatic music*
Let’s find out…
As Arthur Gander said during the technical committee meeting, “Finally, gentlemen, a gymnast who shows a routine with none of the elements of risk, originality, and difficulty should never win a world championship.”
Let’s dive into the 1966 World Championships and see if Gander’s words came true.
In my post about the men’s technical committee meeting, I noted that Arthur Gander had been voted the next president of the FIG, replacing Charles Thœni.
Let’s take a look at some of the key decisions that were made during the FIG Congress in Dortmund.
As we go through the information, try to guess which decisions became a thorn in Arthur Gander’s side.

1966 was a big year. Charles Thoeni, the president of the FIG, resigned for health reasons. At the 45th Congress, Arthur Gander, president of the Men’s Technical Committee, was elected president of the FIG.
Also, it was the year that “risk, originality, and virtuosity” would become the guiding principle in gymnastics for years to come. Arthur Gander made that perfectly clear during the technical committee meeting and judges course.
Here are some notes from that meeting. They are based on Thomas Maloney’s article in Modern Gymnast, November 1966.
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We’ve already discussed the men’s performances at the 1962 World Championships. It’s now time to discuss the women’s.
Since my first blog post started in 1962, let’s continue down the 1962 rabbit hole by doing a Cliffs Notes version of the 1962 World Championships for the men.