Let’s take a look at the compulsories for the 1968 Olympic Games in Mexico City, including the piano sheet music!
The bar routine turned out to be brutal. Every single team had at least one gymnast score in the 8s (or lower) — even the Soviet Union.
Let’s take a look at the compulsories for the 1968 Olympic Games in Mexico City, including the piano sheet music!
The bar routine turned out to be brutal. Every single team had at least one gymnast score in the 8s (or lower) — even the Soviet Union.
Before the ESPN Body Issue existed, Cathy Rigby posed nude for Sports Illustrated. At the time, it was a big enough sensation that Arthur Gander, the FIG president, commented on the matter.
Let’s take a look at what he said…

Warning: This article will touch upon body image issues and eating disorders.
Note: This is part of a series of posts on the FIG leadership in the late 1960s and early 1970s. Other posts include:
As we saw with Villancher’s commentary on the 1968 women’s Code of Points, gymnastics does not happen in a vacuum. It interacts with the culture around it.
To help you understand where the FIG leadership stood on some social and cultural issues, the next two posts will be dedicated to the FIG president’s reaction to the worldwide counterculture movement (broadly defined) that whipped through the world in the 1960s and 1970s.
First up: The 1971 European Championships and Arthur Gander’s response to Ole Bendiktsen’s long hair.

In 1968, the Women’s Technical Committee President Berthe Villancher visited the United States. During her tour, she explained the 1968 Code of Points. This included her unwritten rules and preferences.
Let’s take a look at what she said.
Note: Villancher’s comments have been filtered through Jackie Uphues, who chronicled Villancher’s time in the United States for Mademoiselle Gymnast May/June 1968. (Jackie Uphues might be better known as Jackie Fie to some readers.)
Unless otherwise indicated, all quotes are from Mademoiselle Gymnast May/June 1968.

The 1968 Code of Points was to be ready by May 1, 1968. Opening ceremonies for the 1968 Olympics were set for October 12, 1968. That’s not a lot of time to read the Code and adjust routines.
Thankfully, compared to the men’s Code, the women’s Code was much shorter. Let’s take a look at some of the most salient parts.

Compulsories: The bane of some gymnasts’ existence, and the bane of some judges’ existence, as well.
Let’s take a look at the 1968 men’s compulsories and how they were judged…
The 1968 men’s Code of Points exploded.
Gymnastics was quickly evolving, and the Men’s Technical Committee was trying to be more prescriptive on what they wanted to see and in which direction they wanted the sport to go.
I’ll do my best to give you the CliffsNotes version of a 194-page document.

In July of 1976, newspapers around the world reported that Nadia Comăneci scored the first 10 in Olympic history.
Nadia Comaneci, a 15‐year‐old Rumanian girl, scored the first perfect 10 in Olympic gymnastic history in the women’s uneven parallel bars competition.
New York Times, July 19, 1976
Nadia received a perfect score of 10.00 — the first perfect 10 in Olympic history.
The Daily Yomiuri, July 20, 1976
Unfortunately, what they reported was wrong.
Comăneci was the first female gymnast to score a 10 in Olympic history, but she was not the first gymnast to score a 10. (To be fair, information was much harder to come by in the 1970s.)
What was it like training in Japan in the late 1960s? How many hours did they train? How was the Japanese gymnastics system set up? Did they use spotting belts?
Let’s take a look…

What was it like to train in the Soviet Union in the 1960s? At what age did they start? What were their gyms like? What did their training manuals look like?
Let’s take a look at some documents from the archives to find out…
