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1969 Japan MAG USSR WAG

1969: Olga Korbut’s Win at the Japan vs. USSR Dual Meet

At the 1969 European Championships, Mikhail Voronin was looking ahead to the competition between Japan and the Soviet Union. However, he didn’t end up competing in the meet.

But you know who did compete? 14-year-old Olga Korbut.

And you know who won the meet? Olga Korbut.

Let’s take a look at what happened and watch some of her routines…

Länderkampf BR Deutschland, UdSSR und Kanada 1972 in Schwäbisch Gmünd, Lyudmila Turishcheva (li.) und Olga Korbut (beide UdSSR) Countries struggle BR Germany USSR and Canada 1972 in Schwäbisch Gmünd Lyudmila Turishcheva left and Olga Korbut both USSR

Note: This photo is not from 1972 — not the 1969 dual meet with Japan.
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1969 European Championships WAG

1969: Karin Janz Dominates at the Women’s European Championships

Gymnasts from nineteen countries traveled to Landskrona, Sweden to participate in the European Championships on Saturday, May 16, 1969 and Sunday, May 17, 1969.

The stars of the 1968 Olympics — Čáslavská, Petrik, Voronina, Kuchinskaya — did not attend (or had retired), which gave 17-year-old Karin Janz a chance to shine and win four of the five gold medals. 

Datum: 23.05.1969 Copyright: imago/Werner Schulze Karin Janz (DDR) während des Trainings; Quadrat, Geräteturnen 1969, Kunstturnen
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1969 MAG USGF WAG

1969: The USGF World Cup

Before the FIG created its World Cup circuit and before the American Cup came into existence, the U.S. tried to organize an annual World Cup.

On Saturday, April 26, 1969, gymnasts from Canada, Finland, Japan, Yugoslavia, and the United States gathered in Long Beach, California for the World Cup.

Here’s more information about the event.

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1928 MAG Olympics WAG

1928: The FIG’s Report on the Olympic Games in Amsterdam

Separate from the organizing committee’s Official Report on the 1928 Olympics, the FIG published its own booklet on the gymnastics competition in Amsterdam. What follows is a translation of the report, as well as every score from every judge at the competition — both men’s and women’s.

As you’ll see by the amount of space dedicated to women’s gymnastics in the report, the FIG remained focused primarily on men’s gymnastics.

Let’s dive in.

Cover of the FIG’s booklet on the 1928 Olympics
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Apparatus Norms Evolution WAG

The Evolution of the Apparatus Dimensions in Women’s Artistic Gymnastics

Has the balance beam always been 10 cm wide? When did balance beams start having padding? When did the uneven bars start having tension cables? How far apart were the bars in 1989? Have the landing mats always been 20 cm thick?

The cheat sheet below gives you the basic contours of the ever-changing apparatus norms. 

The first dimensions for bars with tension cables at FIG events.
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2004 Floor Music Olympics WAG

2004: The Floor Music of the Athens Olympics

Bond, Bond, and More Bond: There was a lot of music from the group Bond during the Athens Olympics. The band’s albums Born and Shine came out in 2000 and 2002, respectively. Their music straddled the worlds of contemporary music and classical orchestral music.

The title of a 2004 article gives you an idea of how the musical group was perceived at the time: “Unbreakable Bond; They’re young. They’re sexy. And they’re turning the classical music industry on its head.” (Sarasota Herald Tribune, Nov. 26, 2004).

Movie Soundtracks: As was the case in 2000, movie soundtracks were big in 2004. Examples included Braveheart, Pirates of the Caribbean, Moulin Rouge, and Matrix Revolutions.

ATHENS – AUGUST 23: Catalina Ponor of Romania receives the gold medal for the women’s artistic gymnastics floor exercise event on August 23, 2004 during the Athens 2004 Summer Olympic Games at the Olympic Sports Complex Indoor Hall in Athens, Greece. (Photo by Ezra Shaw/Getty Images)
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2000 Floor Music Olympics WAG

2000: The Floor Music of the Sydney Olympics

A big trend in 2000: Movie soundtracks. 

In Sydney, the floor music included songs from The Rock, Addams Family Values, The Mummy, and The Truman Show, among others.

A small surprise: In 1984, 1992, and 1996, several floor routines featured music associated with the host country. In 2000, that trend was not as pervasive. Of course, there were exceptions — like McIntosh’s use of “Waltzing Matilda” or Slater’s use of “I Still Call Australia Home,” which was contentious, by the way. (More on that below.)

25 Sep 2000: Elena Zamolodtchikova of Russia (centre) wins Gold, Svetlana Khorkina of Russia (right) wins Silver and Simona Amanar of Romania (left) wins Bronze in the Womens Floor Exercise Final at the Sydney Superdome on Day Ten of the Sydney 2000 Olympic Games in Sydney, Australia. Mandatory Credit: Shaun Botterill /Allsport
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1988 Floor Music Olympics WAG

1988: The Floor Music of the Seoul Olympics

Major Theme: Very, very, very 1980s.

Here are a few examples:

  • “Sixty-Second Sonata” (1980)
  • Montage of music from Cats, which debuted in 1981
  • “Axel F” from Beverly Hills Cop (1984)
  • “Bullish” (1984)
  • “Electric Kingdom” (1984)
  • “One Night in Bangkok” (1984)
  • Montage of music from Rocky IV (1985)
  • “True Faith” by New Order (1987)
  • “Macho Mozart” (1987)
19 Sep 1988: Phoebe Mills does her floor exercise during the Olympic Games in Seoul, South Korea. Mandatory Credit: Billy Strickland /Allsport
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1984 Floor Music Olympics WAG

1984: The Floor Music of the Los Angeles Olympics

A big theme in 1984: American movies

Given that Los Angeles is the heart of American cinema, it makes sense. There were songs from movies like Night Shift, Indiana Jones, Rocky, and James Bond.

Another theme: Americana.

In addition to the emphasis on American TV and films, there were plenty of other American moments — from Szabo’s routine to “Hooked on America” to Wu’s “Stars and Stripes Forever” to Bileck’s “Rodeo” montage. (Rodeo is a ballet composed by American composer Aaron Copland.) 

Ecaterina Szabo, Romania, gold medallist (Photo by S&G/PA Images via Getty Images)
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1996 Floor Music Olympics WAG

1996: The Floor Music of the Atlanta Olympics

A Big Trend in 1996: Americana. 

Just as there was a lot of flamenco music during an Olympics held in Spain, there was a fair amount of U.S. music, particularly from the American gymnasts and the Romanian gymnasts. 

Another Big Trend: Songs from movie soundtracks. 

The French team pulled from recent movies like The Mask and Basic Instinct. But there were songs from older movies, including Galieva’s Charlie Chaplin tribute and Marinescu’s music from the Italian film Investigation of a Citizen Above Suspicion.

UNITED STATES – JULY 29: KUNSTTURNEN: BODEN/Frauen ATLANTA 1996 29.7.96, Lilia PODKPPAYEVA/UKR GOLD – MEDAILLE (Photo by Mark Sandten/Bongarts/Getty Images)