A big theme in 1984: American movies
Given that Los Angeles is the heart of American cinema, it makes sense. There were songs from movies like Night Shift, Indiana Jones, and James Bond.
Another theme: Americana.
In addition to the emphasis on American TV and films, there were plenty of other American moments — from Szabo’s routine to “Hooked on America” to Wu’s “Stars and Stripes Forever” to Bileck’s “Rodeo” montage. (Rodeo is a ballet composed by American composer Aaron Copland.)
A Big Trend in 1996: Americana.
Just as there was a lot of flamenco music during an Olympics held in Spain, there was a fair amount of U.S. music, particularly from the American gymnasts and the Romanian gymnasts.
Another Big Trend: Songs from movie soundtracks.
The French team pulled from recent movies like The Mask and Basic Instinct. But there were songs from older movies, including Galieva’s Charlie Chaplin tribute and Marinescu’s music from the Italian film Investigation of a Citizen Above Suspicion.
The big trend in floor music in 1992: Flamenco, flamenco, and more flamenco.
For decades, flamenco music has been a constant during women’s floor exercise, but the trend perhaps hit its crescendo during the 1992 Barcelona Olympics. (You can read a little about the politics of flamenco at the bottom of the page.)
Yello: In 2021, Billie Eilish was the big contemporary music sensation during floor routines. In 1992, it was Yello.
Throwbacks from 40ish years prior: The nostalgia machine is always alive during floor exercise, trying to target audience members and judges in their 40s and 50s and beyond. In 1992, it emerged in pieces like “Boogie Woogie Bugle Boy” and “An American in Paris Ballet.”
As far as FIG events are concerned, women’s individual floor exercise was first introduced at the 1950 World Championships, but at the time, gymnasts did not use floor music. In fact, at the 1950 FIG Congress, the delegates had to decide if gymnasts should perform to music at the 1952 Olympics, and they voted against it (eight votes to three).
It wasn’t until 1958 that music was introduced for individual floor routines, both compulsory and optional.
Below, you’ll find recordings of the music for the compulsory routines from 1958 until 1996. For some of you, the music will bring back fond memories. For others, it’ll bring back nightmares. But hopefully, you’ll find a piece you enjoy listening to.
This post throws off the chronological order of this website. I know, it bothers me, too.
Nevertheless, I feel like it’s important to document the floor music of this year’s Olympics. FX music tells us a lot about the general cultural zeitgeist in the world, as well as what is (and isn’t) allowed by the FIG.