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1962 Czechoslovakia Interviews & Profiles MAG World Championships

1962: A Profile of Přemysl Krbec, the Last Czechoslovak MAG World Champion

At the 1962 World Championships, Přemysl Krbec of Czechoslovakia won the gold medal on vault. This was the last time that a Czechoslovak gymnast was a world champion in men’s artistic gymnastics. Since there hasn’t been much written about Krbec, I translated a profile that was published after the 1962 World Championships in Prague.

Like many gymnasts, gymnastics was not his first love. Even though both his parents were gymnasts, he loved soccer.

Heads-up: Holub, the author of this profile, tended to be a bit fanciful in his profiles of gymnasts.

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1962 MAG Perfect 10 WAG World Championships

1962: Czechoslovakia’s Coverage of the World Championships in Prague

In 1962, Prague hosted the World Championships, and, all in all, it was a successful competition for Czechoslovak gymnasts. On the women’s side, the team finished second, and Čáslavská defeated all the Soviet gymnasts except for Latynina in the all-around. She also was the gold medalist on vault and the bronze medalist on floor, while Bosáková was the gold medalist on beam and the silver medalist on bars. On the men’s side, the team took home bronze, and Krbec won gold on vault.

Here’s what the Czechoslovak weekly sports newspaper Stadión reported.  As we’ll see, there were 10s being thrown out by individual judges. (No gymnast received enough 10s to receive a final score of 10.) At the same time, the newspaper noted that there were some “thoughtful mistakes” by the judges, but it did not dive into what those mistakes were.

Even if you don’t read the text below, enjoy the photos. Stadión was a highly visual periodical.

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1962 Czechoslovakia Interviews & Profiles WAG

1962: Čáslavská — “Ophelia, with the Heart of a Warrior”

In 1962, Věra Čáslavská won her first all-around title at the Czechoslovak Championships, and heading into the World Championships in Prague, the expectations were high for the star of Czechoslovak gymnastics. The Czech-language sports newspaper Stadión printed an article on Čáslavská, which is part profile, part Shakespearean play, and part fairytale.

Note: A fairytale seems bizarre, but pohádky (fairytales) are a vibrant genre in Czech culture. Čáslavská even wrote one about gymnastics in her autobiography, which you can find translated here.

My Thought Bubble: That said, the combination of fairytale and Shakespearean characters is a bit bizarre, but the profile gives us an idea of how Czechoslovak journalists wrote about athletes at the time.

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1962 USSR WAG

1962: Čáslavská Wins the Tournament of Seven Countries in Tbilisi

Shortly after the tri-meet between Czechoslovakia, East Germany, and the Soviet Union, those countries faced each other once again in Tbilisi. Added to the mix were other socialist and communist countries, including Hungary, China, Poland, and Romania.

With Latynina absent, Čáslavská once again won the all-around title, proving that she would be a force to be reckoned with at the 1962 World Championships in Prague.

Below, you can find Sovetsky Sport’s coverage of the competition.

Čáslavská at. the1962 World Championships in Prague, Copyright: imago/CTK
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1962 Czechoslovakia East Germany MAG USSR WAG

1962: Czechoslovakia, East Germany, and the Soviet Union Compete before Worlds

No surprise: The Soviet men’s team defeated the Czechoslovak and East German teams, and Yuri Titov, the 1959 European All-Around Champion, won the all-around title

The surprise: Months before the Prague World Championships, the Czech and East German women defeated the Soviet team, and Čáslavská won the all-around. 

Granted, the top Soviet gymnast, Larisa Latynina, was not present. However, Čáslavská’s victory over Astakhova was a harbinger of good things to come. After finishing behind Astakhova at the 1960 Olympics (eighth compared to third) and the 1961 European Championships (tied for third compared to second), Čáslavská finally beat Astakhova during this tri-meet. Then, at the 1962 World Championships, Čáslavská finished second, defeating all the Soviet gymnasts except for Latynina.

Here’s more about the tri-meet, as well as short interviews with several of the Soviet gymnasts. An interesting question came up: Would it be correct to give the judges the optional routines written out before the competition? Not surprisingly, all the athletes said no.

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1962 Czechoslovakia Floor Music

1962: Czechoslovak Floor Routines — The Story Behind the Routines

In the lead-up to the 1962 World Championships in Prague, the pages of the Czechoslovak sports periodical Stadión were filled with articles and photos related to gymnastics, one of which told the story behind three gymnasts’ floor routines: Hana Růžičková’s, Věra Čáslavská’s, and Eva Bosáková’s. It’s an interesting article, given that the extant videos do not have sound. Plus, the article contrasts the Czechoslovak style with the Soviet style.

This last point is important because, as we look back on the history of the sport, we tend to group old routines together, categorizing them all as “balletic.” But national teams made a conscientious effort to differentiate their routines and styles.

Another factor to consider: The use of music for individual floor routines was relatively new at the time. 1958 was the first time that music for women’s floor was used at a World Championships or Olympics. As a result, countries were trying to figure out what worked and what didn’t work.

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1962 Czechoslovakia Interviews & Profiles

1962: A Profile of Hana Růžičková, the 1961 ČSSR Champion

Hana Růžičková didn’t want to be a gymnast. She dreamed of wearing white skating boots, but when those boots never materialized, she started gymnastics in 1956 at the age of fifteen. By 1960, she was a member of the Czechoslovak team that won silver at the Rome Olympics, and one year later, in 1961, Hana Růžičková was the surprise champion of the Czechoslovak Championships. (Věra Čáslavská fell off beam, and Růžičková was able to capitalize on it.) 

What follows is a translation of a profile on Růžičková. It was printed in February of 1962, a few weeks after her win at the 1961 Czechoslovak Championships. Not only does it tell the story of a gymnast from a small village who had to balance work, training, and a long commute, but it also raises broader questions, such as: At what age should athletes start special training?

[Note: The age at which Růžičková started gymnastics sometimes varies in articles. For example, the report on the 1961 Championships suggested that she started in 1958.]

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1958 1960 1962 1964 1966 Books MAG USSR

Shakhlin on His Career from the 1958 Worlds through the 1966 Worlds

In the penultimate chapter of his autobiography, Boris Shakhlin takes us from the 1958 World Championships in Moscow to the 1966 World Championships in Dortmund. Along the way, he gives us a glimpse into his tactics as a competitor — ways that he and his teammates tried to throw their competitors off their game. He also shares little tidbits of information. For example, did you know that Soviet athletes received one cake for each gold medal that they won?

Here’s a translation of the fourth chapter of Shakhlin’s book.

Left-right: Takashi Ono, Yuri Titov, Boris Shakhlin at the 1960 Olympics . 1960. Comitato Olimpico Nazionale Italiano.
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1962 Compulsories MAG WAG World Championships

1962: The Compulsory Routines for the World Championships

What were compulsory routines at the 1962 World Championships?

Unfortunately, at the time of this writing, there aren’t videos of the routines on YouTube. But in this post, you can find the English text for the men’s compulsories, as well as the English text and drawings for the women’s compulsories.

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1962 WAG World Championships

1962: Berthe Villancher’s Summary of the World Championships

After the 1962 World Championships in Prague, Berthe Villancher, the President of the Women’s Technical Committee, penned a summary for the French magazine Éducation physique et sport (November 1962). 

It’s a fascinating article, in which she calls the judges “combatants,” echoing something that Dr. Klinger wrote after the men’s competition at the 1934 World Championships.

You can find an English translation of Villancher’s article below.

100 Years of the FIG